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MGMT - Oracular Spectacular (2007)
vom: 01.08.2025
Downloads:
62
Hochgeladen um:
16:22:06
Öffentlicher Name:
KTMUSIC
Format:
mp3
Beschreibung:
[center][img(width=316 height=60)]links/images/splogo.jpg[/img] [url=https://postimg.cc/Fd3cfFyT][img(width=180 height=180)]https://i.postimg.cc/Fd3cfFyT/folder.jpg[/img][/url][/url] [url=https://postimg.cc/2b50bwNJ][img(width=180 height=91)]https://i.postimg.cc/2b50bwNJ/mp3-seeklogo.png[/img][/url] ______________________________________________________________________________________________ [color=#000080][size=5][b]MGMT-Oracular_Spectacular-CD-2007-iPC[/b][/size][/color][/center] [/center]
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Û°Û Û°Û Û°Û Û°Û MGMT is: Andrew Vanwyngarden and Ben Goldwasser, Û°Û Û°Û two psychic pilgrims whose paths first Û°Û Û°Û intersected in the green pastures of Wesleyan Û°Û Û°Û University in Middletown, Connecticut, circa Û°Û Û°Û 2002. "We weren't trying to start a band," Ben Û°Û Û°Û remembers. "We were just hanging out, showing Û°Û Û°Û each other music that we liked." Û°Û Û°Û Û°Û Û°Û Andrew and Ben realized that -- despite their Û°Û Û°Û opposing views on methodology (one is Û°Û Û°Û spontaneously practical, the other is practically Û°Û Û°Û spontaneous) -- they shared a common love of Û°Û Û°Û mystic paganism (ironic indeed on a campus named Û°Û Û°Û for the founder of Methodism), psychotropic Û°Û Û°Û sounds, and the belief that a joke (or a joke Û°Û Û°Û song) could be sad, profound, and funny at the Û°Û Û°Û same time. Û°Û Û°Û Û°Û Û°Û The pair was drawn to the music of other duos and Û°Û Û°Û found themselves incorporating the implications Û°Û Û°Û of the hallucinatory power-twee of the Incredible Û°Û Û°Û String Band, the roaring subway minimalist Û°Û Û°Û electronica of Suicide, the silky pop-soul of Û°Û Û°Û Hall & Oates, the pulsing narcotic trance of Û°Û Û°Û Spacemen 3, the avant-garde industrial Û°Û Û°Û romanticism of Royal Trux and much more into the Û°Û Û°Û constantly evolving sounds of MGMT. Û°Û Û°Û Û°Û Û°Û As on-campus performance art provocateurs, Andrew Û°Û Û°Û and Ben began staging a series of "these Û°Û Û°Û obnoxious, noisy live electronic shows -- we Û°Û Û°Û never planned on having it be a recorded project Û°Û Û°Û -- where we would write these weird techno loops Û°Û Û°Û and arrangements that we could play with live. Û°Û Û°Û Most of it was running live off the computer and Û°Û Û°Û we had a turntable plugged into some guitar Û°Û Û°Û pedals, a radio, and a tape player. It was all Û°Û Û°Û electronically generated at that point. We would Û°Û Û°Û write a new song for each show and our shows Û°Û Û°Û would be 15 minutes long." Û°Û Û°Û Û°Û Û°Û The One Song/One Show ethos is manifest in the Û°Û Û°Û tracks of Oracular Spectacular, each song on the Û°Û Û°Û album shimmers with its own diamond-hard Û°Û Û°Û compression of elements interconnecting within Û°Û Û°Û MGMT's "unusual or unconventional pop Û°Û Û°Û structures." Continually inverting expectations, Û°Û Û°Û the music of MGMT owes as much to chaos theory as Û°Û Û°Û it does to fractal geometry. In contrast to the Û°Û Û°Û group's early live shows, which were mainly Û°Û Û°Û electronically generated, Oracular Spectacular is Û°Û Û°Û filled with "more traditional rock instruments: Û°Û Û°Û electric guitar, bass, drums, keyboards, Û°Û Û°Û synthesizers all played live." Û°Û Û°Û Û°Û Û°Û Restlessly experimental and consumed with divine Û°Û Û°Û discontent, the members of MGMT embarked on a Û°Û Û°Û series of temporary guises. "We went on a tour Û°Û Û°Û with a drummer once," Andrew confesses, "after Û°Û Û°Û we'd written these weird California Creedence Û°Û Û°Û Clearwater-style songs in two weeks. We went Û°Û Û°Û out, played them, and never did the songs again. Û°Û Û°Û A lot of people hated it. That used to be the Û°Û Û°Û goal of our shows. We were still trying to be Û°Û Û°Û obnoxious and somehow people got into it. Some Û°Û Û°Û songs we wrote just because we wanted to learn Û°Û Û°Û how to be really bad within a certain genre and Û°Û Û°Û then people started liking the song because they Û°Û Û°Û liked the genre. It was an accident that people Û°Û Û°Û started liking us." Û°Û Û°Û Û°Û Û°Û Some of those first fans included a group of NYU Û°Û Û°Û students who formed an indie label, Cantora Û°Û Û°Û Records, in order to issue the very first MGMT Û°Û Û°Û commercial release, Time To Pretend (a 6-song EP, Û°Û Û°Û currently available on iTunes). Two of the songs Û°Û Û°Û from that EP -- "Time To Pretend" (the MGMT Û°Û Û°Û "mission statement") and "Kids" ("filled with all Û°Û Û°Û those college feelings: naivety, idealism, Û°Û Û°Û nostalgia, happiness, sadness") -- have made it Û°Û Û°Û on to Oracular Spectacular. Û°Û Û°Û Û°Û Û°Û Following the release of the EP and a couple of Û°Û Û°Û one-month long tours, MGMT took six months off, Û°Û Û°Û with Andrew moving to Brooklyn for a post-college Û°Û Û°Û "existential crisis" and Ben hanging out in Û°Û Û°Û Connecticut before heading to upstate New York to Û°Û Û°Û work woodland construction. Û°Û Û°Û Û°Û Û°Û Following their hiatus from MGMT, Ben and Andrew Û°Û Û°Û reconnoitered in Brooklyn and began recording new Û°Û Û°Û songs for the sheer fun of it on an "Mbox Û°Û Û°Û computer set-up." Those humble home sessions -- Û°Û Û°Û at once Apollonian and Dionysian -- lay the Û°Û Û°Û groundwork for what would become Oracular Û°Û Û°Û Spectacular. Û°Û Û°Û Û°Û Û°Û Oracular Spectacular opens with "Time To Pretend" Û°Û Û°Û ("fanciful but with an undercurrent of impending Û°Û Û°Û doom") and closes with "Future Reflections" Û°Û Û°Û ("premonitions of a post-apocalyptic future where Û°Û Û°Û colonies of young people live on the beach and Û°Û Û°Û lead savage yet refined primitive lifestyles and Û°Û Û°Û go surfing"). In between lie the refractions of Û°Û Û°Û the "current chaotic vibrations of the world" on Û°Û Û°Û a album which distills the essence of the past, Û°Û Û°Û promises and portends the future, and offers an Û°Û Û°Û absorbing transformative experience between the Û°Û Û°Û molecules in the pulsations of the present. Not Û°Û Û°Û to mention an authentic "4th Dimensional Û°Û Û°Û Transition." Û°Û Û°Û Û°Û Û°Û "Kids are going to be inheriting their parents Û°Û Û°Û MP3 collections," Ben predicts. "And, in that Û°Û Û°Û aesthetic, corrupted MP3 files will be like the Û°Û Û°Û way people glorify scratched-up records now. In Û°Û Û°Û 20 years, people will listen to these 30th Û°Û Û°Û generation MP3s and say, 'I love that sound!'" Û°Û Û°Û Û°Û Û°Û MGMT invites you to open your mind to the Û°Û Û°Û multi-dimensional vibrating Technicolor sounds of Û°Û Û°Û Oracular Spectacular. Û°Û ÜÜ Û±Û Û±Û ÜÜ ²Û²²ÛÛ²Û± ±Û²ÛÛ²²Û² ²Ûß Ü ßÛÛ² ²ÛÛß Ü ßÛ² ²ÛÜÛ ßÛÛ° °ÛÛß ÛÜÛ² ßß ÜÛÛÛÛ° °ÛÛÛÛÜ ßß Ü ß ²Û² ²Û² ß Ü Ûßß Ü²Ûß ßÛ²Ü ßßÛ ²ÛÜÛÛÛÛß ßÛÛÛÛÜÛ² ßÛ²ß ÛÛßß ÛÛßÛ ÛÛßß ÛÛßß ßÛÛß ÛÛßß ß²Ûß Ü Û²Ûܲ۲ ²Û Û ²ÛÜß ²Ûß ²Ûß ²Û ßßßÛ ²Û²ÜÛ²Û Ü Û±ÛÛ²Ûß ßÛ ²ÛÛÛ ²Û Û ²ÛÛÛ ²ÛÛÛ ²Û ²ÛÛÛ Ûß ßÛ²ÛÛ±Û ßÛ²Ûß Û Û ßÛ²Ûß °Û²Û ß ß Û²Û° ÜßßÛÛ 1way AMOK BCC BUTT CMS EGO ÛÛßßÜ ß²Û ESC FNT FTD gF HiT2000 iTS Û²ß ÜÜ ß²Û JUST MTD NuHS pyt rH RNS SDR Û²ß ÜÜ ²²ÛÛÛÛÛ²Ü SER soup SSR twee UKi WUS ܲÛÛÛÛÛ²² ²²Ûß ß²²Û Û²²ß ßÛ²² ß²ÛÜ Ü ²ÛÛÜ ÜÛÛ² Ü ÜÛ²ß ß²Ûß ²ÛÛÜ ßßÜ Üßß ÜÛÛ² ßÛ²ß ° ²ÛÛÛÛÜÜÛÜ Ü Ü ÜÛÜÜÛÛÛÛ² ° ±Ü ß²²ÛÛÛÛÛÛÛÛÛÜÜÜÜÛÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÛÜÜÜÜÛÛÛÛÛÛÛÛÛ²²ß ܱ ß °²ÛÜ ßß²²²Û²²²ÛÛÛ²²²²ÛÛÛ²ÛÛÛÛÛ²ÛÛÛÛÛ²ÛÛÛ²²²²ÛÛÛ²²²Û²²²ßß ÜÛ²° ß Ü ±²ÛÛÛÜÜÜÜ ÜßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßÜ ÜÜÜÜÛÛÛ²± Ü Ü °±²²²²²ÛÜÜÜÛÛßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßÛÛÜÜÜÛ²²²²²±° Ü Ü °±²ÛÛÛÛÛÛÛÛÛ²±° ASCii By AyL!cRO 2oo5 °±²ÛÛÛÛÛÛÛÛÛ²±° Ü ÜÜÜ °±²ÛÛÛÛÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÛÛÛÛ²±° ÜÜÜ ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ
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